This painting is 11 by 14 inches, fluid acrylics on vellum illustration board. In this post, I will discuss my process and technique.
Drawing: I always do a very tight drawing with a 2H pencil. I usually find that the longer I spend on the line art, the easier my painting will be. With this painting, I decided that I would not only use black ink for some of the lines, but I would also fill in large areas of black as well. These large areas of black end up not being completely black since I will also paint on top of them with various washes. All of the paint is transparent, so all the layers interact with each other including areas with solid black ink. I did not ink any of the lines on the leaves since I wanted the painting to be softer around the subject.
Painting the Subject: When I am content with my background, I start painting the subject. For this painting, I used a desaturated yellow green to do an underpainting first. This establishes most of the hard edges that I can see. After I finish the underpainting, I start throwing down washes of pure color. For this painting, I added yellow green followed by green washes of pure color. When you throw down washes of color, it will often times flatten your painting so the next step I did was to reestablish the hard edges and to darken other areas. I then used pure green gold around the center of the leaves to draw in the viewer more. Overall, I feel the results were successful.
No comments:
Post a Comment